Tag Archives: Intellectual Property

Use the Right Intellectual Property Contract Terms To Protect Against IP Risk

Posted on by
Reply

In most technology and service agreements, one or both parties use or license the other party’s intellectual property (IP), or one party uses or licenses its own intellectual property for the other party’s benefit. However, using or benefiting from another party’s IP carries certain risks, including the risk of an infringement claim, ownership or licensing disputes, open source software, and risks arising from a bankruptcy of the IP owner/licensor.  Where managing the risks from that IP usage is important, having the right contract clauses in place to shift and mitigate this risk can be critical.

There are a number of contract clauses that can be employed to manage and shift IP risk. Two contract clauses in particular – the IP representation/warranty and the IP indemnity – may seem complimentary but can expose a party to unintended liability if used together.

IP Representation/Warranty and IP Indemnity

There are two clauses which can shift the risk of intellectual property infringement – an express representation/warranty of non-infringement and an indemnity against non-infringement. (I will not cover implied warranties of non-infringement under the Uniform Commercial Code, which are very frequently disclaimed in technology and service agreements.)

A representation/warranty of non-infringement is a statement of fact (rep) or statement or promise of condition (warranty) that intellectual property licensed and/or used does not infringe the intellectual property or other proprietary rights of third parties. An IP rep/warranty may be knowledge-qualified, i.e., “to the best of [owner/licensor’s] knowledge.” An IP rep/warranty allows the IP owner/licensor to stand behind its intellectual property, and allows the IP user/licensee to assert an “innocent infringer” defense to certain IP claims. However, like other reps and warranties, there are potentially meaningful consequences if they are breached. Like other breaches of representations, a breach could give rise to a right to void the contract and rescission damages.  Like other warranties, a breach can give rise to contract remedies, a right to withhold or cease performance under the agreement, and/or a right to terminate the agreement for cause.  The user/licensee is required to prove damages resulting from a breach of an IP representation or warranty.

An intellectual property indemnification is an obligation to defend, indemnify, and hold harmless the other party from and against losses, damages, and expenses arising or resulting from a third-party IP infringement claim. (Most service providers avoid first-party IP indemnity clauses, as they are effectively an insurance clause.)  This can be a standalone IP indemnity clause, or an indemnification obligation for breaches of reps/warranties where the agreement contains an IP rep/warranty. As it’s very difficult for an IP user/licensee to determine or mitigate the risk of infringement itself, the IP indemnity allocates this risk to the owner/licensor (subject to the limitation of liability) without the need for the user/licensee to prove damages or other losses. Watch the geographic scope of the indemnity to ensure it matches where the IP will be used – if it’s limited to US patents/trademarks, for example, a user/licensee would not be protected from a claim that their use violates an EU patent. IP indemnification clauses usually include procedures for tendering a claim for defense and language governing who controls the defense, assistance provided by the indemnified party, and settlement of an indemnified claim. A major benefit of an IP indemnity is that the indemnified party does not have to incur or prove damages resulting from an IP infringement claim first; as long as an indemnified claim is brought against the indemnified party, the indemnification obligations apply. As long as the indemnifying party complies with its defense and indemnification obligations, the indemnified party does not have a right to terminate the agreement.

Service providers will often put contours around the scope of the intellectual property indemnity by including limitations to the obligation to indemnify based on certain acts or omissions of the indemnified party. These include where the user/licensee uses IP outside the scope of the license or terms; where the user/licensee modifies the IP other than as authorized by the IP owner/licensor; where the infringement claim results from the combination of the IP with other products or technology not provided by the IP owner/licensor; and where the user/licensee fails to accept or use an updated version of a product or service provided by the IP owner/licensor which has been modified to be non-infringing. Some parties also exclude IP protection where the claim results from open-source software used in their products or systems. One thing to watch for is whether the exclusions are comparative (claims are excluded “to the extent” that an exception applies) or absolute (if any of the exceptions applies, indemnification is not provided).

Savvy service providers and IP licensors understand that including both of these clauses into an agreement can have unintended consequences, such as the potential for remedy “double-dipping.” If a contract contains both an IP indemnity and IP warranty protecting Party B, and a third-party IP claim is asserted against Party B, Party B may be able to both assert a breach of rep/warranty claim and seek damages for breach of the warranty or seek to terminate the agreement for cause, while also tendering the third party claim to Party A for defense and indemnification. Because of this, many licensors and vendors will offer an IP indemnity, but not an IP warranty. However, this eliminates the ability for the user/licensee to rely on the rep/warranty as an innocent infringer. If both the rep/warranty and indemnity are used, one approach to harmonizing them is to add language to the IP warranty stating that the sole and exclusive remedy for breach of the IP warranty is indemnification pursuant to the IP indemnity. This gives the user/licensee the “innocent infringer” benefits of the IP warranty protection as well as the IP indemnity protection, while ensuring that a breach of the IP warranty does not result in a claim outside of indemnification obligations.

Other Intellectual Property Risk Protections

In addition to IP reps/warranties and IP indemnities, there are other contractual protections which can be used to protect against IP risk.

Indemnification Remedy Clause

Where infringement occurs, the IP user/licensee often wants more than just to be protected — they want the right to keep using the IP for the duration of the agreement. In the event of actual infringement, neither an IP rep/warranty nor IP indemnity forces the IP owner/licensor to remedy the infringement. This is why many agreements include an additional IP infringement remedy clause which generally commits an IP owner/licensor facing a claim or judgment of IP infringement to obtain the right to continue to use the impacted IP, to modify the IP so that it is non-infringing, or to replace the impacted IP with a non-infringing alternative. In some cases, if none of the remedies are feasible, one or both parties may be given the right to terminate the agreement; where a termination right exists, users/licensees should consider whether to ask for a prorated refund of license/usage fees for the remaining terminated period of the agreement. Watch for language on the timing of the remedy – in most cases, it’s when the indemnifying party is found to be infringing by a court of competent jurisdiction (and not when the claim is first asserted), which generally does not impact the user/licensee as the defense and indemnification obligations should apply prior to that point.

Allocation of risk (limitation of liability) Cause

While an IP indemnity and rep/warranty shifts risk to the IP owner/licensor, the amount of risk shifted is allocated between the parties through the limitation of liability clause. Is the indemnifying party willing to provide uncapped liability for its IP indemnification obligations? Some service providers have not priced unlimited liability into its fees, or is unwilling to provide uncapped liability as a policy or due to insurance limitations. The user/licensee usually wants to negotiate the broadest liability cap possible; one common compromise is to negotiate a “super-cap” for IP indemnification obligations above the base limitation on direct damages but short of uncapped.

It’s important to also look at the disclaimer of consequential damages. An indemnified claim can include consequential damages as part of the third-party claim (e.g., lost profits).  If the disclaimer of consequential damages does not specifically exclude indemnification obligations, any such damages claimed by a third party may not be indemnifiable which may not be what one or both parties want.  It’s important to note that there is a significant difference between third-party consequential damages awarded in connection with an indemnified claim, and first-party consequential damages related to an indemnified claim (e.g., the indemnifying party should not have to pay for a company’s lost profits due to an executive having to travel and participate in a deposition in connection with an indemnified claim). An exclusion to the disclaimer of consequential damages for third party damages awarded in connection with, or included in the settlement of, an indemnified claim may provide a finer point on the exclusion.

IP Ownership Clause

Another contract provision which can be leveraged to mitigate IP risk is the IP ownership clause, which addresses ownership of each party’s pre-existing IP as well as any new IP created in connection with the agreement. This clause is ideally located up front in a base agreement between the parties, but sometimes will be placed in a Statement of Work (“SOW”) or other ancillary document instead (order of precedence language in the base agreement can be critically important in that case). Ensure that each party retains ownership of its own IP (except to the extent ownership is transferred to the other party), and that each party is prohibited (to the extent permitted by law) from reverse engineering, disassembling, de-compiling, creating derivative works from, renting, selling, leasing, acting as a service bureau regarding, or otherwise attempting to learn the source code of the other party’s IP. If neither company will acquire ownership rights to the other’s IP (even IP created in connection with the agreement), make sure the ownership clause clearly covers this.  If one company will transfer ownership of developed IP (a “deliverable”) to the other, ensure the agreement clearly defines the deliverable and states that the deliverable is considered “works made for hire” as defined in the US Copyright Act, and consider adding language regarding transfer and assignment of the IP rights in and to the deliverables (which may be tied to payment for the deliverable). If a deliverable contains the developer’s pre-existing IP, consider asking for a perpetual, irrevocable, worldwide right and license to sue the pre-existing IP as part of the deliverable (this may cause the IP indemnity to survive in perpetuity).

IP Insurance Clause

Another way to mitigate and shift the risk arising from IP is through intellectual property insurance. IP insurance can be obtained through specialized policies such as a cyber liability policy and media liability policy. Coverage for IP infringement claims may not be available under comprehensive general liability (CGL) coverage – check your policy or walk through coverage with your insurance broker to ensure you understand what your IP insurance policies (or typical policies) cover and don’t cover. Users/licensees may want to ask the IP owner/licensor about IP insurance they carry, and request that the owner/licensor be obligated to maintain their insurance and protect the user/licensee under the policy, e.g., by tying the contractual limitation of liability to the policy coverage.

Open source software Clause

In many cases, companies use open source software (“OSS”) in their IP. There are a number of good reasons companies do this, including lower costs, better quality, and a large support community. As IP owners/licensors did not create the OSS they use, many will disclaim OSS from IP representations, warranties, and indemnities. However, there are risks to OSS usage. For example, under some OSS license types, software which uses OSS governed by one of those licenses becomes governed by that same license, which can include requirements to disclose the source code upon request or other limitations. Users/licensees may want to consider including an OSS representation/warranty that any IP or other deliverables provided to it will not contain open source software which has not been disclosed in the agreement or a SOW.

Rights in Bankruptcy(§ 365(n))Clause

Licensees under software license agreements have a special tool for mitigating risk arising from a bankruptcy of the software licensor. When a company enters bankruptcy, the licensee (or debtor-in-possession) has certain rights to “affirm” or “reject” the debtor’s executory contracts, including some license agreements. 11 U.S.C § 365(n) gives licensees certain rights to continue to use licensed software in the event of the bankruptcy of the software licensor. To ensure these protections are available, consider including a clause in the agreement protecting the licensee’s rights under this section.

Software Escrow Clause

Finally, consider whether to include a contractual requirement for the owner/licensor to escrow licensed software.  For more on software escrow, please see my earlier post on software escrow.

An earlier version of this post first appeared as an article on my blog,Notes from the Trenches.

Eric Lambert has spent most of his legal career working in-house as a proactive problem-solver and business partner. He specializes in transactional agreements, technology/software/e-commerce, privacy, marketing, compliance and practical risk management, and is a technophile and Internet evangelist/enthusiast. In his spare time Eric dabbles invoice-over work and implementing and integrating connected home technologies. Any opinions in this post are his own. This post does not constitute, nor should it be construed as, legal advice.

Imitation is the Sincerest Form of Copyright Infringement

Posted on by
Reply

The Internet is a vast repository of knowledge and information. Fortunately, there are a number of search engines, websites and tools (including Google, Bing, Yahoo, Ask.com, Wikipedia, and GitHub) to help navigate the waters. When you are looking for something personally or professionally — a picture, audio clip, or video clip for a presentation, a font for a poster, a great article on a topic you want to share with your friends, samples of others’ software code to get past a development issue, song lyrics, etc. — in many cases what you are looking for is just a few clicks and/or searches away. But once you’ve found it online, can you use it? To answer that question, let’s start by debunking a couple of myths.

Myth #1 – If it’s on the Internet, it’s free for anyone to use. Many people think “public domain” and “free to use” is synonymous with “on the Internet.” It’s not. The Internet is an incredible tool for communicating and sharing information. However, the Internet does not negate or trump intellectual property ownership rights. Just because someone posted content online does not automatically mean it’s actually free for anyone to copy and use it for any purpose. In almost all cases, posting something online does not automatically cancel any intellectual property rights held by the owner of the content, including copyright and rights of publicity. The Recording Industry Association of America’s war on consumer music file sharing through peer-to-peer file sharing networks (remember the original Napster?) is a great reminder that people who copy and reuse the copyrighted works of others may be held liable for doing so.

Myth #2 – If I don’t see a copyright notice, it’s not protected by copyright.Under the Berne Convention, an international agreement governing copyright, copyright protections apply once something is created physically or digitally and saved (“fixed in a tangible medium of expression” is the formal term), even if there’s no copyright notice on the protected work. (Registering a copyright with the US Copyright Office and including a copyright attribution, e.g., “© 2016 Eric Lambert,” gives you additional rights such as the potential for significant statutory damages.) Copyright protections include the exclusive right to control copying, public performance, or many other use the work by third parties. If someone re-posts copyrighted content without any ownership notice or attribution, it is still protected by copyright and that poster would likely be liable for copyright infringement. However, if you use that content, even without knowledge that it was copyrighted, you could find yourself receiving a cease-and-desist letter or lawsuit for using it too, and your claim that you didn’t know your use was infringing may not save you from liability.

Now that we’ve debunked the myths, let’s talk about how and when you can use online content. Online content can be grouped into 3 categories:

  1. Copyrighted or Otherwise Protected Content. The first category is content that is clearly covered by copyright or other intellectual property protections like rights of publicity. This category includes things like content with a copyright notice on it; content used under a license (“used with permission”); content on a site with terms of use or another disclaimer restricting the ability to copy or reuse content without permission; pictures of celebrities; famous cartoon characters; and so on. If you want to use copyrighted or otherwise protected content, you need the permission of the copyright owner, i.e., a license to use it.
  3. “Fair Use” exception.  There is one important exception — the “fair use” exception — that provides a limited right to use copyrighted content for purposes such as commentary, criticism, scholarly research, news reporting, public classroom education, parody, or other “transformative” purposes (new meaning, added value, or a different manner of expression) without the copyright owner’s permission. The exception recognizes that in some cases, the benefit to society to allow use of a work outweighs the copyright holder’s rights to control use of the work. If it’s fair use, it’s not copyright infringement. However, there’s no definitive rule as to what is and is not fair use. Instead, courts look at four factors to determine fair use – (1) the purpose and character of the use(i.e., is it transformative, is it commercial or non-commercial, etc.), (2) the nature of the copyrighted work, (3) the amount and substantiality of the copyrighted work that is used(i.e., is it more than a “de minimis” portion of the work), and (4) the effect of the use on the potential market for, and value of, the copyrighted work).
  4. Open Source and “Public Licensed” Content.The second category of content is “open source” and “public licensed” content. “Open source” refers primarily to software — its computer software distributed under a license whose source code is available for modification or enhancement by anyone as long as the requirements of the license are followed. For more on open-source software, please see my earlier post on the topic.  You can use open source software you find online as long as you comply with the terms of the open source license.
  6. “Public licensed” content is content distributed under a similar license. It grants anyone certain rights to use the content in a way that would normally be prohibited under copyright law, as long as the use is within the boundaries of the license. These public licenses preserve the owner’s copyright in the content, but cede certain rights to anyone who wants to use the content. The most common public licenses are the six Creative Commons licenses. Creative Commons licenses give anyone the right to use content for noncommercial purposes with attribution to the content owner, and depending on the type of license, may additionally be able to use the content commercially, create derivative works from the content, and/or share the content with others under the same license (“share-alike”). You can use public licensed content as long as you comply with the terms of the public license.
  7. Everything Else – “Murky Content”. The third category is everything else — anything not clearly subject to copyright or other IP protection, and not clearly open source or public licensed (let’s call it “murky content”). This is the content that causes the most trouble, because Internet users may have no way to know whether something they find online that looks like it’s free to use is actually subject to copyright or other intellectual property protection, or is governed by a public or open source license. In this case, you need to make a judgment/risk call whether to use murky content.  Generally, using murky content for commercial purposes carries the most risk, and using it non-commercially carries the least. Most people don’t create and freely share content for the fun of it — they derive value from it. If murky content looks like something someone would want to monetize, it’s likely protected content requiring some form of license to use. There’s no sure way to gauge the risk of using murky content — the only way you’ll ever know for use is if you get in trouble for using it, and by then it’s too late.
  9. Some argue there is an “implied license” to use online content which protects users of online content. They argue that if a content owner posts content on their website or makes it available through Google, promotes links to the content through methods such as social media buttons, and does not restrict the ability to copy the content (e.g., no disabling of the ability to save or “screen scrape” content), the content owner is implying that it’s OK to reuse it. The biggest issue with the “implied license” argument is that like fair use there’s no easy way to know if it applies or not — you have to make a judgment call. It’s also important to note that the implied license argument assumes that the content was posted by the content owner.  Courts may be very hesitant to embrace this concept as it would mean significantly watering down copyright protection for online content.

Don’t forget photos may bring up not just copyright issues, but rights of publicity as well. If you use someone’s picture found online to promote your product or service, not only could you face a copyright suit from the copyright owner of the photo, the subject of the photo could have a claim against you using their name or likeness in a commercial manner without their consent. It’s also worth noting that using images of a cartoon or corporate logo grabbed from the Internet could also create trademark infringement or trademark dilution issues.

Finally, as you navigate the world of online content, keep these simple rules in mind:

  • Check the applicable terms and policies before using web-based content. If you find content you want to reuse on a website or online service, check the Terms of Use, Applicable Use Policy, or similar terms or policy for ownership, license, or usage rights language that could give you the right, or restrict your right, to use the content.
  • Use license filters when searching images. If you’re searching for images on Bing Images or Google Images, you can filter your search by license type (e.g., in Google Images, if you click “Search Tools” you can search by “Usage Rights” such as “Labeled for reuse with modification,” “Labeled for reuse,” “Labeled for noncommercial reuse with modification,” and “Labeled for noncommercial use.” Keep in mind that license information may be wrong, but you’ll have an argument that you relied on the license type filter.
  • If it looks professionally done, it probably is. If you find content online that looks like it was made by a pro, it probably was. If there’s no license associated with professional-looking content, there’s a reasonable chance that someone else redistributed it without the ownership or copyright attribution. Also, if you can’t easily save content (e.g., the “save as” in the right-click context menu or the “copy” function for the browser is disabled on that website), it’s likely because the content owner does not want people capturing or “screen scraping” their content.
  • Just because it’s protected doesn’t mean you can’t use it. Finally, don’t forget that many copyright owners are willing to grant a license to use their work if you ask them. Some may just want the exposure and ask for an attribution; some may want a license fee. A little internet sleuthing can uncover the owner’s email address or other contact information for contact purposes. If you like the content and are willing to obtain a license to use it, make sure the license you receive is broad enough for the way you intend to use the content or work, both today and in the foreseeable future.